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Game Review: Band Frontman Jason Williamson Assumes Character in Sceptical Look at Ecstasy Generation Era

Produced by Portishead co-founder the musician-producer, this scabrous though slight first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Vibe

Just a single key story turn, but it leads to a comically executed rampage on the woodland paths that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film releases in British and Irish theaters from 17 November.

AR
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Anita Roy

A seasoned business consultant with over 15 years of experience in strategic planning and digital transformation.

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